Joking Apart: Articles
This section contains articles about Joking Apart by Alan Ayckbourn and other authors. To access the other articles, click on the relevant link in the right-hand column below.This article was written by Alan Ayckbourn for the preface to Joking Apart & Other Plays published by Chatto & Windus during 1979.
Preface to Joking Apart & Other Plays
Articles by Alan Ayckbourn
○ Joking Apart (2002)○ Joking Apart (date TBC)
○ A Note From The Author (2018)
○ Notes To Remember (date TBC)
○ Notes on Hugh (2013)
Articles by Other Authors
○ Louise (Albert E. Kalson)Hugh, the local vicar tolerated by his flock, is in love with Anthea too, only to be gently rebuffed when at long last he professes his feelings. Living on the adjoining property, Hugh must suffer Richard's success in his role as father to Anthea's children, a constant reminder of his own failure. His brilliant seventeen-year-old son Christopher, recipient of a University Open Scholarship, refuses to speak to either of his parents, whom he treats "like a couple of deaf-mute retainers" (186). Hugh's shy, birdlike wife Louise, traumatised by the gulf between herself and her husband, herself and her son, drifts toward the inevitable breakdown. At Debbie's eighteenth-birthday party, Louise, "bright, like a painted doll, smiling incessantly, but unnaturally, as one under the influence of drugs", comforts herself by bursting into song - unfortunately a hymn - and must be led away by her mortified husband. If Louise is regressing toward adolescence and childhood, she does not complete the movement as does Hazel in Wildest Dreams, who is crawling on all fours by the end of the play.
The woman losing her mind, again a vicar's wife and the mother of a son who has not spoken to his parents for years, moves once more from the periphery to the centremm , of the stage. What makes Susan in Woman in Mind Ayckbourn's most devastating study of incipient madness is that the audience views her subjectively, from her own disoriented point of view, a perspective suggested by his reading about a man trying to wrench a woman's head off her shoulders in Oliver Sack's The Man Who Mistook His Wife for a Hat (1985).17 The subjective approach, however, is the inevitable refinement of Ayckbourn's probing of the unbalanced mind, an obsessive theme stemming from his mother's deep but temporary bout of depression. Becoming as fragmented as the character Susan, the audience surrenders to her loss of reason.
(Albert F. Kalson, Laughter In The Dark - The Plays Of Alan Ayckbourn, pp. 105-106)
Copyright: Albert F. Kalson. Please do not reproduce without permission of the copyright holder.